If you’re looking for venues to submit to, here are a few suggestions for upcoming markets:
The Antigonish Review presents the Great Blue Heron Poetry Contest & Sheldon Currie Fiction Contest, with $2,400 in Prizes!
Mail submissions to: The Antigonish Review Contest, P.O. Box 5000, St. Francis Xavier University, Antigonish, Nova Scotia, Canada, B2G 2W5. For complete guidelines, email TAR@stfx.ca, Phone 902-867-3962 or visit our website at .
Entry Fee: Canada $25.00, United States $30.00 and International entrants $45.00. Bonus: You may enter both contests for an additional $10.00. This includes a one-year subscription to TAR which will begin with the fall issue, 2011.
carte blanche literary magazine is now accepting poetry, fiction, nonfiction, translation, graphic fiction, and photography for its Spring Issue (#15). If you’ve got a narrative, we want to see it.
New for this issue: Audio Submissions. Tell us a story in sound. This includes soundscape, documentary, spoken word, author readings, comedy, experimental, etc. Audio pieces do not need to contain words (although they can!) but they should have a narrative progression, i.e. a beginning, middle, and end.
The submission deadline for the Fall Issue is March 1st, 2012. Contributors receive a $45 honorarium per published piece. Check out our submission guidelines for more information: http://carte-blanche.org/submissions/
Open Letter presents THE SPIRIT OF TWENTY-FIRST CENTURY AVANT-GARDE WRITING
guest-edited by kevin mcpherson eckhoff and Jake Kennedy
… to divest one’s church of every useless cumbersome accessory; to spit out disagreeable or amorous ideas like a luminous waterfall, or coddle them—with the extreme satisfaction that it doesn’t matter in the least—with the same intensity in the thicket of one’s soul—pure of insects for blood well-born, and gilded with bodies of archangels.
Tristan Tzara, Dadaist Manifesto
Historically, avant-garde practices have clasped hands with spiritual belief. For instance, remember Kandinsky and Mondrian with Theosophy, Hélène Smith channeling automatic writing, H.D.’s devotion to mysticism, Jackson Mac Low chancing chants, John Cage divining the I Ching, Eugene Gomringer’s “spiritual use” of concrete poetry and Charles Olson projecting verse as numinous. Over the past few decades, this spirit of experimental writing seems to have departed. And yet, consider Rachel Zolf’s Human Resources as possessed by Hebrew numerology, Jonathan Ball’s Ex Machina as Deus itself, Marie Annharte Baker’s language as/of the power of indigenous healing circles and M. NourbeSe Philip’s Zong! as spiritual-medium. This special issue of Open Letter aims to perform exegesis on today’s avant-garde writing. How does it commune with notions of mysticism? Who is exorcizing poetry? Can “god/God/gods” be invoked non-ironically? Is spiritualism or the sacred in the 21st century nostalgically more arrière-garde than avant-garde? The editors seek submissions of essays on such ideas as
- Language as a numinous
- Poetries that super the natural
- ‘Devotions’ to/of/in avant-garde versus arrière-garde
- Aleatory practices as faith/deity
- Indigenous beliefs/practices in/of (w)riting
- Reading for/as exegesis
- Glossolalia and sound poetry
- Séance or say-haunts or (un)science
- Concrete poetry and “spiritual use”
- Postmodern ethics or responsibilities to the soul
- Theory as a/version of/to theology
- Gender, identity and spirituality
Please send proposals, suggestions, complaints, corrections, inspirations (300-500 words) by June 30, 2012 to either kevin mcpherson eckhoff or Jake Kennedy. Authors who have their proposals accepted will need to complete their final papers by October 31, 2012.